“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
A turning motion (it's all in the wrist) will control the volume, a sweep up or down will move the channel forward or back a step, and even double-tapping on the side will perform whatever you assign it
Dubbed GoogleSharing, the anonymizing proxy service is designed exclusively for communications with Google
Neon Lamp Traces Sound Wave’s Picture (Sep, 1950)