“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
When Brazilian police raided the house of Wallace Souza, a popular Amazonian MP who doubles as a TV presenter, they might have expected to find scripts for the next episode of his daily crime show.
Instead they discovered more than $150,000 (£90,000) in cash, a stash of weapons and a tatty piece of paper with the names of at least four dead men whose executions, police claim, Souza might have ordered in an attempt to boost the ratings of his lunchtime TV show.