Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
Deep in the forest, something is subverting the natural order of nature. HC Gilje’s Wind-up Bird(s) is a flock of electronic / mechanical woodpeckers mounted high in the trees of Lillehammer forest, Norway. Each unit tapping out a sound like a real woodpecker. Networked through wireless modems, the units react to each other and encourage the ‘real life’ woodpeckers to join in. Wind-up Bird(s), was part of UT-21 polish norwegian art project, exploring the environment. The mechanical birds strip away our notion of birds to the strongest element that remains in our conciousness: their sound. How does the digital and the biological manage this relationship? The birds become a part of the acoustic community and within no time, there is dialogue between the two. The aim of UT-21 is to create ‘interventionist art’ that attempts to derail the natural flow of the environment. For a moment this happens with Wind-up Bird(s), but in no time at all nature has adapted more quickly than the machines.