“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
The so called ‘game culture’ is becoming a vast cultural territory that from its pop influences to the academic ‘videogame studies’ it has spread the attention on the videogame culture all over. Game Culture / The world of digital games in contemporary art and culture is a properly named exhibition, symposium and workshop held in Novi Sad (Serbia) at the Museum of Contemporary Art Vojvodina starting 4 October. It will range from the development of games through Open Source software (including the Ludex Open Source Game Operating System) to the social, political, aesthetic and educational potential of videogames. In the exhibition twenty of the most significant works dealing with game are showed. The artist involved are: AES + F, Alon Tzarafi, Afkar Media, Fiambrera, Gonzalo Frasca, Jodi, Molleindustria, Personal Cinema, Persuasive Games, Robert Praxmarer, Serious Games Interactive, Tale of Tales, Vladan Joler, Vladimir Todorovic and Urtica.