“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
According to Pasolini, ‘we don’t have a body, we are a body’. Accepting this principle, in a society that traditionally tends to separate mind from body, would change both the social and the linguistic taboos. Changing the body, in fact, would modify also the perception of foul language. With Amy e Klara Marc Bolhen explores this principle using synthetic speech. The involved bodies are two pink boxes, two machines, which speak with a feminine voice generated by ‘text to speech’ and automated speech recognition softwares. Should one box start to speak, the other might respond. One bad word leads another and the outcome is rather unpredictable. There are many similar artworks based on ‘text to speech’ application, likeA Soap Opera for Imacs, Chant or Virologic Conditioning, but the choice of this slice of language makes Bohlen’s work original. If the synthetic speech has achieved such levels of ‘naturalness’ that it can be confused with the voice of living human being, it is usually highly selective and optimized for commerce, plain, without exclamations. The fact that two machines quarrel and use foul language makes the situation more realistic and, according to the author, gives a real example of the future interactions between machines and human beings.