“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
The visionary of overlapping elements, also historically dissonant, is the distinctive style of People Like Us century to Vicki Bennett, sound artist who for fifteen years has been producing music and radio programs ('DO or DIY') made surreal juxtapositions of sound, often drawn sources of modern sound. Here are collected four of his audio visual collage able to blend the propaganda of scientific innovation and technological fifties to find a stud in the inseparable relationship between man and machine, which, with its social and cultural repercussions is dismembered through a rereading visionary and aesthetically 'sour', in which the re-contextualization of propaganda becomes routine. The utopia of progress, expressed through a reformulation of space and time, it becomes a collective hallucination retro, a dreamlike vision that unfolds in unpredictable screenplays. The old sequences become the ground on which to build a visual narrative of allusion that speaks of this without ever seeing it, or citing it through the promises of the previous decades.