“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
ICC Intercommunication Center, ISBN 4757170289 If the perception of nature in history has been decidedly conditioning from time to time by the state of the art production technology and communication (as is evident from the major philosophical insights prior to the contemporary world), our time is crafting a new idea of nature. This is expressed through the possibility of investigation of computational tools that are able to seek, among other things, the size of ultra-small and ultragrandi through the intersection of data allowed by the database or simulation algorithms that formalize natural processes in codes, conditioning the interpretation of other natural processes in their turn, not to speak of man, now understood primarily as a precise genetic sequence of symbols. This catalog of ' eponymous show through culturally inevitable the intersection between nature and technology in an excellent alchemy of works written and ready to hurl the user's attention, the creativity that flows from the use of software based on natural mechanisms until illuminating considerations about the fragmentation of space in time of communication networks distributed in a more coherent and eterogeoneo multicultural landscape.