Drive + Guerrilla Guerrilla Gigging, films and self-organized concerts.

Self-organization of events, highlighted by the media to the short season of the 'trend' of smart mobs, is really just the beginning, in the sense that technology in real time refers to the concepts of ancestral horizontal organizations, outside the control of authoritarian always existed within the social dynamics. After exquisitely policy initiatives, such as Chasing Bush , is now the turn of the social sharing of movies and music, out of the film almost completely subservient to the market. Bringing in the real world of trade carried out through the social networks, peer-to-peer networks, in the United States are springing up groups of people who improvise outdoor film screenings after having previously put okay, called Guerrilla Drive-In . To act as theaters are parking lots with a white wall wide enough and most part of the film are independent filmmakers, to avoid problems of copyright. The lights are powered by generators, while the audio and 'broadcast (often via iPod ) on a specific frequency perceptible through their radio, and when the lights are too strong for the vision, they are only temporarily disabled through their timer. On the other side of the ocean another strategy of putting on a cultural event without asking permission has been developed by some British punk band. Reviving, in fact, desecrating the healthy spirit of the early days to a few months was inaugurated the season of 'Guerrilla Gigging', concerts in public places announced through mailing lists, text messages and flyers who manage to muster even hundreds of people, as in the case of ' The Others '. The power autorganizzativo amplified by personal communication continues to create spaces for social interaction unpublished, beautifully mocking law enforcement authorities and market laws.