“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
Someone promptly called a 'tele-paper' and in the synthesis of the two terms on the contrary, that a newspaper that is, it shows the movement of the televisions of the road, is the scope of this number zero, which incorporates the many souls antagonism cathode. From the popular and critical ultrabeceri format, through a destabilizing analysis of the generation videoelettronica, in the midst of brief news items, announcements of projects and images sampled from various sources that refer to the cultural identity of A / transom, the fanzine of the situationist movement of the 77 Bologna, reaping the potential of a symbolic campaign, and for this potentially even more release. In fact, the artisan passion and discovery hacker, who is married to the thrill of the territorial communication and sense of community that an expanded network based this experiment spread. His self-definition ('a machine not approved imaginative') is only a poster.