Many years ago the debate on graffiti, seen as a unique phenomenon of contemporary art on the one hand and as a mere act of vandalism on the other hand, had opened the debate on how the art that takes ownership of space, even with teniche personalistic, both considered an important expression or second floor. Forms less elaborate and much more niche than the large graffiti culture were those of developing symbols to distinguish the different crew in the panorama of activities officially considered non-lawyers. Already exposition Kingdom of Piracy , the work 'Hall of Fame' of Beige Vs. Rsg, had isolated the abbreviations of some crew cracker video games for the Commodore 64. Now, however, the pair Mona Vatamanu and Florin Tudor, Bucharest, gathered in Crac is art , drawn in ascii different tag from as many crew crackers. The special feature of these environments is that the designers of these artifacts keep anonymity first, and have no interest in the claims of real name highlighted somewhere, nor to be disturbed by alleged 'curators'. But their elaborate signature represents an artifact, however, being in competition with symbolic technique and then the other, trying to substitute for the sublime level of control on the machine. These tags, paradoxically expressed in a flash file and thus can not be edited, are proposed as an ethereal landscape, as they wander in their schematic representation.