Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
'Art in the Age of Mechanical Reproduction' by Walter Benjamin is certainly one of the most cited texts in the fields of electronic art contemporary art, for his prophetic insight into the processes of dematerialization and endless copy that may be imparted artifacts contemporary digital. The delicate balance between fixed and never-fetish object and its possession have often clashed with the rules of digitization and / or real-time transmission of files. In woaitaom (see below). D.rep_1234567890 (Work Of Art In The Age of Mechanical VS. Digital Reproduction) , Arcangel Constantini once again the paradox, showing a serial digital works numbered with decimals and digitized by the physicality, the possession of which is obtained with a simple online registration, a process that makes it recognizable for some time and then leggittimati online users. This certification, which resembles in some ways the investment certificates of etoy, is not exclusive, despite being rated and makes it more than anything else the reproducibility of the owner, self-adjusting with countless pseudonyms.