“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
'Art in the Age of Mechanical Reproduction' by Walter Benjamin is certainly one of the most cited texts in the fields of electronic art contemporary art, for his prophetic insight into the processes of dematerialization and endless copy that may be imparted artifacts contemporary digital. The delicate balance between fixed and never-fetish object and its possession have often clashed with the rules of digitization and / or real-time transmission of files. In woaitaom (see below). D.rep_1234567890 (Work Of Art In The Age of Mechanical VS. Digital Reproduction) , Arcangel Constantini once again the paradox, showing a serial digital works numbered with decimals and digitized by the physicality, the possession of which is obtained with a simple online registration, a process that makes it recognizable for some time and then leggittimati online users. This certification, which resembles in some ways the investment certificates of etoy, is not exclusive, despite being rated and makes it more than anything else the reproducibility of the owner, self-adjusting with countless pseudonyms.