“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
In the representation of the sound waveforms and spectrograms resides production of images that highlights the specific characteristics of frequanze analyzed in a graphical snapshot photographing the sound itself in a sufficiently precise. Sound 2D Warper is a free software capable of transform these images. After opening the sound file and have it accurately represented, the program allows a graphic distortion performed in a controlled manner, generating successively the sound variations, which can also be saved as a new audio file. The graphics processing sound is so an additional mode of expression, further contributing to the crumbling of the barriers that still remain in the conceptual production of different media.