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Neural

Critical digital culture and media arts · Since 1993

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The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.

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neural

24 Nov Retweet this Share on Facebook

Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.

MechanicalTechno

02 Jul Retweet this Share on Facebook

The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.

AsciGraffiti

30 Jun Retweet this Share on Facebook

Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.

YesNo

29 Jun Retweet this Share on Facebook

YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.

 

AppleForAds

29 Feb Retweet this Share on Facebook

The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”

 

Harsh Noise Wally

10 Jan Retweet this Share on Facebook

Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.

 

scanning eye-shaped big screen at Birmingham New Street railway station

29 Aug Retweet this Share on Facebook

Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400

 

GoPro ancestors

08 Jul Retweet this Share on Facebook

GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.

 

Older posts
Newer posts

dyne: trax, gnu / linux even more multimedia.

After arriving at the ' gold ', ie to version 1.0, dyne: bolic arrives at its last evolution (1.2), called Dyne: trax . The distribution of GNU / Linux that runs on cd with strong multimedia →

hacktivism 23 Mar 2004

Quintet.net, peerSynth, software for jam sessions in the network.

After more than five years from the experiments via the midi Rocket Surfer, and a stop in the community of musicians engaged in jam sessions online, formed and then destroyed in one of the many sad →

emusic 19 Mar 2004

Quintet.net, peerSynth, software for jam sessions in the network.

After more than five years from the experiments via the midi Rocket Surfer, and a stop in the community of musicians engaged in jam sessions online, formed and then destroyed in one of the many sad →

emusic 19 Mar 2004

China encrypts wireless networks.

The Beijing government has decided to restrict the policies for wireless networks, promoting a local standard encryption. In a Business Week article , it is known as the Intel will stop selling its Centrino in China →

hacktivism 19 Mar 2004

Rasterbator, rastering for large spaces.

.art

24.03.04 Rasterbator, rastering for large spaces.


The rastering technique, that is, the rendering of a black and white image using dots, has been widely used in the →

art 18 Mar 2004

Life’s a User’s Manual: Argos Walk.

.art

18.03.04 Life’s a User’s Manual: Argos Walk.


Bringing into reality elements of the most visionary science fiction is a characteristic of artists and hackers, with has the →

art 18 Mar 2004

Hackers, The Art of Abstraction.

The creative attitude of the correct definition of hacker is inherent in the term itself, which presupposes a vitality expressed by the rejection of the rules imposed from above and the ability to reinvent the real →

hacktivism 18 Mar 2004

Godfried-Willem Raes, thirty years of robotic musical instruments.

In the multiple activities of the Belgian composer Godfried-Willem Raes, there is to assemble more than thirty years bizarre and intriguing robotic musical instruments and / or automatic. From Pneumafono (powered with compressed air) to Rotomoton →

emusic 18 Mar 2004

Umbrella.net, the network in the rain.

The signals / data in transit in the urban space and multiply the possibilities of crossing streams and organize temporary network or 'ad-hoc' as they are called technically, creates new scenarios of interaction. Umbrella.net is an →

hacktivism 17 Mar 2004

Twisty Little Passages, an approach to interactive fiction

The MIT Press, ISBN 0262134365
One of the cornerstones of hypertextual literature are text ‘adventures’, which lured in front of the monitor many users of the first personal computers. The value of computer programs as tools →

book 17 Mar 2004

Simon Extreme, vintage sound as game software.

Among the items to remember the eighties is certainly the place 'Simon' simple but very effective game through four large buttons of many colors allowed players to compete on the basis of musical sequences longer and →

emusic 17 Mar 2004

Simon Extreme, vintage sound as game software.

Among the items to remember the eighties is certainly the place 'Simon' simple but very effective game through four large buttons of many colors allowed players to compete on the basis of musical sequences longer and →

emusic 17 Mar 2004

The Sculptural User Interface, language’s scultures.

.art

31.03.04 The Sculptural User Interface, language’s scultures.


Undoubtely, this artistic project by Michael Rees, based on the mix of sculpture and new media, looks very ambitious. His →

art 17 Mar 2004

Speakerphone, audiospazializzazione dynamics.

The concept that has been characteristic of the studies of sound spatialization assumes that the listener is in a situation of passivity. But for the mobility and fluidity of contemporary society would be more useful a →

emusic 12 Mar 2004

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