Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
c6.org – ISBN 0955066492
There are roots in the most respected printed zine tradition (even back to the Whole Earth Catalogue) of printing handbooks made out of smart tricks →
In the realm of images, Mieke Gerritzen is still composing her graphic appealing texts. After many different books and catalogues, this is the first attempt to animate her style of short sentences, slogan and compressed →
All Media Production / Bis Publishers ISBN 9063691289
In the realm of images, Mieke Gerritzen is still composing her graphic appealing texts. After many different books and catalogues, this is the first →
In the overflow of precarious sequences and cuttings, remainding the weak post-PC music productions boom of middle nineties, the personal video productions, fueled by integrated webcams and family camcorders, is pouring on the web, →
In the overflow of precarious sequences and cuttings, remainding the weak post-PC music productions boom of middle nineties, the personal video productions, fueled by integrated webcams and family camcorders, is pouring on the web, proving once →
The non-structured and chaotically organized information on the net is slowly reflecting its properties to our own daily data environment. The information management of everyday tasks is a western world problem that has already been →
It’s open till July 16th the personal exhibition of the seminal net.art group übermorgen, at Hartware MedienKunstVerein – Phoenix Halle in Dortmund (Germany). The works are made on the concept of RFID, including an →
CD – Unsounds
This is a work commissioned in 2004 by the Bruxelles Argos Festival, 73 minutes long, a single track whose first, feeble sound is heard after 52 seconds, very gloomy →
It’s open till July 16th the personal exhibition of the seminal net.art group übermorgen, at Hartware MedienKunstVerein – Phoenix Halle in Dortmund (Germany). The works are made on the concept of RFID, including an interactive installation →
A timeline made by a series of grids of 3×3 points. This is the first sight of 9Dots, an experimental project presented at the web flash festival 2006. It’s an audio/visual device implemented by →
A timeline made by a series of grids of 3×3 points. This is the first sight of 9Dots, an experimental project presented at the web flash festival 2006. It’s an audio/visual device implemented by Pierre Delmas →
MEIAC
It seems that the general historical moment of reflection has come after the first decade of the internet social access. Many are the related perspectives intertwined in textual speculations and public events. →
“Breathing is something singers seem to insist on doing…” according to what the software house Waves claims presenting its new plug-in DeBreath. Thus, in order to solve this annoying inconvenient, digital technology has created →
CD – Rephlex
These are ten tracks chosen by Richard D James among the 41 he published with the Analord moniker in 2005. Until now, these tracks were released in limited editions →
