Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Future of Sound
Future of Sound is a not-for-profit organisation that provides a forum for the discussion of new and convergent art forms. By creating immersive experiences using state of the art sound technology Future of Sound showcases leading practitioners in →
NATURAL HISTORY OF THE ENIGMA
The central work in the "Natural History of the Enigma" series is a plantimal, a new life form I created and that I call "Edunia", a genetically-engineered flower that is a hybrid of myself and Petunia. →
MIGUEL CHEVALIER : FRACTAL FLOWERS 2009 @ IMAL
The Fractal Flowers exhibition presents recent creations of Miguel Chevalier: virtual reality installation, silkscreens on plexiglass, 3D stereolithography sculptures, as much as possible materializations for his fractal flowers born from the same digital →
MIGUEL CHEVALIER : FRACTAL FLOWERS 2009 @ IMAL
The Fractal Flowers exhibition presents recent creations of Miguel Chevalier: virtual reality installation, silkscreens on plexiglass, 3D stereolithography sculptures, as much as possible materializations for his fractal flowers born from the same digital →
Tweet A Sound { sound + software } at { sound + design }
Tweet A Sound is a desktop application that uses Twitter as a platform for sharing sonic tweets. Pushing the idea of “social sound design”, Tweet A Sound →
Tweet A Sound { sound + software } at { sound + design }
Tweet A Sound is a desktop application that uses Twitter as a platform for sharing sonic tweets. Pushing the idea of “social sound design”, Tweet A Sound →
Splashback: Rhizome's Splash Pages, 1998-2002
Rhizome introduced splash pages to its web site in 1998 in order to display artwork with greater immediacy….
(tags: art net preservation)
Splashback: Rhizome’s Splash Pages, 1998-2002
Rhizome introduced splash pages to its web site in 1998 in order to display artwork with greater immediacy….
(tags: art net preservation)
EMAF 2009
22nd European Media Art Festival in Osnabrück. The Future lasts longer than the past.
(tags: art festival media)
:: POPKALAB by Ricardo Nascimento ::
new media artists
(tags: art media)
With “Bicycle Built for Two Thousand” Aaron Koblin confirms himself as specialist of crowdsourcing based artworks. As Jeff Howe wrote, “crowdsourcing” is “the act of a company or institution taking →
S.M.A.K.
Dara Birnbaum, Retrospective: the dark matter of media light
(tags: art video tv)
SWITCH
Online Journal of New Media
(tags: art media)
CD – Aural Terrains
Ethereal, synthetic and very fragmented sounds, field-recordings, drones and elegant acoustic treatments. Athenian composer Thanos Chrysakis, meticulously organises the structures and atmospheres of the project ‘A Scar On →
Nordic Sound Art
Nordic Sound Art, Joint Study Programme (MFA level) is a Nordic collaboration established within the KUNO network
(tags: art music sound)
