Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
. Art 
07.26.02 Playground, electronic art for the game.
Inaugurated on July 26 in Stralsund (Germany), Playground , an international gathering of electronic artists who share in the works presented this year's approach to the game through its principles and mechanisms. The game is applied to the conventions, the manipulation of perception and critical reflection to the network, such as land for public debate and experimentation. Among the installzioni present the 'Low-Tech-Robots' by Christian Faubel and Sebastian Noth, minimal autonomous robots, Atari Noise Arcangel Costantini (see Videogame art (1): Atari Noise. ), 'PainStation' by Tilman Reiff and Volker Morawe The table that gives an electric shock to those who lose and 'Stairway to heaven' (Die Tonleiter) by Christopher Bauder, a scale to compose melodies. For the part on the web and net art, instead there are '_] [ad] [Dressed in a Skin C.ode_' mez alias of Mary-Anne Breeze, 'Connex I / 0' by Matze Schmidt, Stegner Sebastian and Sascha Pogacar, 'Footbagmasters' of kyokubi.com, 'Hands' Dane 'I Know Where Bruce Lee Lives' of skop.com, 'www.innot.org' of innothna artcomm, '. / LogicalAnd' re-p. / m.ash / Unrast (see [. / LogicalAnd v0.1], net art as a simulation of global economic activity. ), 'Magnus Opus' Nigel Helyer and Jon Drummond, 'Possessed' of boredom.research, 'Soundtoys' of room, 'space navigable music' of Lab [au], and 'Webwürfelwerkstatt' of akuvido. Among the cd rom you notice 'Synreal' of public netbase, a modified version of Unreal and modifiable, 'Newton's Memory' by Nelson Ribeiro Alves and 'Actionist Respoke' Michael Janoschek and Rüdiger Schlömer. Finally expected performances and demonstrations of Nanoloop (see Nanoloop, sequencers for the Game Boy. ), Blinkenlights (see Blinkenlights, ascii art with palaces. ), frans de waard, Radboud mens, laub, monolake, janek shafer and the 'sonic pong', an incredible sound version of the famous game by the collective Link's Up in Linz.
