The claim to 'truth' of the television medium is one of the dogmas of the most difficult to break up after fifty years of bombardment of the retinas. Among the few options for action that will force the painstaking planning every minute we are shooting live on location, so that if fascinated by the feeling of 'being there', are exposed to what happens in an environment of infinitely less protected TV studio. The Newsbreakers a group of activists that New Yorkers expanding the performance style Yesmen to this kind of direct, organize the targeted interventions on TV channels smaller but no less professional. In Italy the reference to Gabriele Paolini which disturbed the envoys of the RAI countless times (so as to obtain a certificate from the Guinness Book of World Records) is inevitable, but its invasive practices are carried out exclusively for his personal battle for the spread of ' use of condoms. Compared to the perseverance of unique Paolini, in which the viewer is assuef &acutea; with the passing of time, here the patterns and types of intervention, not to mention the characters created, ranging emphasizing the element of surprise. The public space 'mediated' by the direction regains its characteristic of 'openness' and therefore also of insecurity and unpredictability. is the perfection of the times and the ways that television is cracked, the glittering showcase of studies made of lights, makeup and backgrounds flakes. The rate given by the rapidly mounting that they hold their breath, suddenly comes out of sync and you are thrown into a new and raw communication to awaken the lethargy that has pervaded information up to that time. this is the inexorable weight editors from time to time they rush to download, trying to cut immediately sequences quickly and normalizing these healthy deviations from established script.