Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
. Art 
19:04:02 Transforming Modernity, the possibilities in the future of art.
Held on the 20th April to ' Austrian Cultural Forum in New York (USA), the first event of the festival Transforming Modernity, which aims to illustrate the principles and priorities for the future of international art, namely collaboration, interdisciplinary experimentation, fluidity and consciousness direct challenge to the acquired concepts, exploring the possibilities of new ways to communicate. The materials come from the first installation of Granular Synthesis (Kurt Hentschläger and Ulf Langheinrich), also present at the Venice Biennale last year, they have here created an immersive environment to experience the body's relationship with sound and space and an important convention. The latter, entitled 'Mediations: Archaeologies and Transformations in the Electronic Sphere' is edited by Timothy Druckrey and requires the presence of Siegfried Zielinski, rector of the Kunsthochschule für Medien in Cologne (Germany), Yukiko Shikata, Japanese independent curator, Reinhard Braun, media theorist of Graz (Austria), Peter Rantasas director of the Music Information Center Austria Vienna (Austria), the Knowbotic Research (Yvonne Wilhelm, Christian Hübler, Alexander Tuchacek), a group of Cologne / Zurich, Perry Hoberman, an artist who works on multi-user interactive installations, Granular Synthesis, the Italian net artists 0100101110101101.org and Zoe Beloff, an artist struggling with cd-rom, experimental film and performance.
