Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
MetaMix is a freeware programmed by Jason Freeman able to remix any song according to a specific algorithm. Available as a free download for Windows 98-XP and Mac OS X, it reveals a composition tool and →
Although frequent changes in aesthetic and technical hardware music (from the speakers boosting amplifiers), there are few practical innovations that promise to change the habitual user categories. Among these certainly ranks SoundVu , a fascinating technology →
Ravi Jain already used in very difficult times the voice mail as a compositional tool, sampling sounds from the street through cheap phone calls made by the public phones. The concept behind ' Concerto for Voicemail →
Is held in S-Hertogenbosch, the Netherlands, the 2003 edition of ' Earational Festival , an event that brings together many areas of electronic musical experimentation, with players new and old. Enough, in fact, have a browse →
At the Visual Arts Laboratory of the University La Sapienza in Rome, Friday at 21:00 an exhibition of photo theme , created by Selin Alemdar and projected onto the cyber-creature HUMI BK10. Moreover, as from Friday →
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27.03.03 Invisible Cities, sounds of the cities.
Supervised by Christopher Murphy of Fällt and Shan McAnena, Invisible Cities is a territorial sound art exhibition held in the →
After Einstuerzende Neubauten that they last tried to mobilize fans to produce the new album is now up to the British band Radiohead ask the public to contribute their short length from 10 seconds to about →
Synesthesia apart, each painting can inspire sounds, depending on the cultural background propio and conditions of use. en.ve.lope is a project that consists of a number of works online (enclosed in the 'dynamic' of his site) →
Innsonik ? another project sound visualization of innothna artcomm, already responsible for INN_SS02_e1 . The approach taken this time? that of the interactive videogame in which the user sweeps visually in three-dimensional spaces with simple shapes. →
It is held on March 21 to 22 at the Deconism Gallery in Toronto 'Cyborg Echoes: Collective Consciousness beyond the Post-Cyborg was' a two-day event dedicated to reflection on art and cyborgs. In the early evening →
