Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The sound communication, of which the voice is only a part, is one of the sensory components essential for the human being. The ecosystem hearing that the machines have created the industrial revolution is a more intricate and interconnected body of sound waves emitted by artificial systems programmed ad hoc. In particular, the mobile communication (one of the few real technological breakthroughs with high social impact of the end of last century) produced sound booster unexpectedly involved in public with voice interaction that ensues, often with all the unnaturalness that accompanies . To synthesize these themes Telephony Thomson & Craighead, creators of Dot-store , Model Behaviour and Remote , which allows visitors to take action on a grid of 42 Siemens mobile phones, calling one which, in turn, generates a reaction melodic chain, since the phones each with a different ring tone. In addition to the room of the gallery is a laptop with software that analyzes the speech spectrum to determine the sincerity (a kind of lie detector). It periodically reports the alleged state of 'sincerity', in fact, a clock which announces the time in speech synthesis. The level of truth suggested by the software against the constructed item from time to time by the clock places the emphasis on the simulation that the machines inject in everyday life, while the melody is externally induced only a conjuncture of gestures orchestrated in advance . But the combination of sounds artificially generated with the analysis of a speech temporal describes a continuous interaction between partially autonomous machines capable of refracting the sounds through their software in a defined environment.
