Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
. Art 
10/10/02 Evolution 2002 the video in its digital form.
Evolution 2002 is a festival of contemporary art and digital 'time-based' which takes place within the Leeds International Film Festival Leeds (UK). This year, the show includes a full program of short films and clips related to the techniques of digital production that intersect different cultures and modes of production. In the list you will find: Structuring The Image, a selection of experimental videos Austrian including 'R4' by Michaela Schwentner, used by the electronic band of the Radian, abstraction b / w / Colored [n: ja] of 'Rewind', and overlaps surreal Skot in 'Aus'; entire section ('A Beautiful Virus Inside The Machine') is then dedicated to Lillian Schwartz, who since the late sixties was experimenting with creating digital video through the computer tools in Bell Laboratories, in 'Audio Visuality: The Space Between Sound And Vision', instead we investigate the mingling of sound and image with guests, among others, Kim Cascone, founder of Silent Records, and Tom Betts of nullpointer.co.uk, and the same issues are demonstrated well in 'Synch Sound: Live Experimental Sound and Vision' with guests Richard Chartier, owner of 12K, and Powerbooks for Peace, an emerging group of VJs; Also important are filmed documents of Billy Klüver co.fondatore of the EAT (Experiments in Art and Technology) with a screening of his new film ('Art and Technology') which tells about his activities from the sixties to today; finally scheduled a screening of works of Steina and Woody Vasulka, Nam June Paik , and several other rare videos about art with light and power of the seventies.
