Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CD – Mort Aux Vaches
“Mort Aux Vaches” (death to cows) shouted the anarcho-Communards as they turned against every form of authority. Echoes of this turbulent time still resound in the catalogue →
CD – Pogus
Philip Corner configured these five scores specially for the violinist Malcolm Goldstein, using a non-traditional notation (sometimes linear or with graphic and verbal notations). They were mostly recorded in →
CD – Ohm Resistance,
Merzbow, AKA Masami Akita, needs no introduction. This pioneer of “noise” is well-known in the international experimental scenes for his sophisticated yet raw, “free jazz” attitude. Balázs Pándi is also quite →
CD – Pogus
The second release for the label Pogue by the Greek-born South African composer Dimitri Voudouris, an artist whose output is never predictable, focuses on the psycho-acoustic nature of auditory phenomena and on →
CD – 12k
Molly Berg, Olivia Block, Steve Roden and Stephen Vitiello, have created an interesting live project recorded in the Trinity Cathedral in San Jose, California. The audio performance, part of →
CD – Die Schachtel
Analog synthesizers, a Farfisa organ, turntables, a tape recorder, a CRT TV: all devices that have no reason to exist without electricity. The relationship between the instruments and →
CD – Mutable
He’s back to delight lovers of more “purist” experimentation. Al Margolis – aka If, Bwana – is an acrobatic audio-artist, active since the eighties, who remains effective and calibrated in →
CD – Creative Sources
Jeff Carey, Robert van Heumen and Bas van Koolwijk “synchronize” their laptops, moving between SuperCollider, Lisa and Max/MSP/Jitter. Synthetic musical tremors, glitches and disturbed drones (in the first two), →
CD – Aagoo
Elegant cinematic and orchestral movements, made using both acoustic and digital instruments, are unraveled in rarefied and narrative structures and juxtaposed with melancholic, anxious sequences by Philippe →
Mp3 – w.m.o/r
The disturbing relations between philosophy and improvised music, a combination certainly not unusual for those into experimental music and other patient listeners, often produce a sense that the →
