“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
CD – Record Label
Rather emotional and psychedelic electronica, with strong melodic ingredients and space-future influences. Nommo Ogo, a combo hailing from the glacial latitudes of Alaska recorded this album in the United States, in California, Colorado and Oregon, arranging plots that are unraveled – contrarily – in a
very comfortable, warm and cuddly, though adventurous way. “Across Time and Space” seems to be focused “on the psychic effects of sound manipulation”, a project shaped in the form of long song-suites, resulting in turn in a process of live interaction that only later assumes a more focused and defined shape. The inspiration is reminiscent of a certain kind of krautrock, but it can’t be reduced to a mere retro-fetishistic operation or to a vain “à la page” attempt. This authentic and inspired work eventually pays off because, short-lived trends aside, it retains a certain soul in the bowels of its labyrinthine compositions, maybe somewhat psychotic and surreal, but definitely not untruthful.