“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
A symbiotic encounter of frequencies. This is what stands out in this cd+, which features the collaboration between the australians Oren Ambarchi (honorary mention at the Ars Electronica Festival 2003) and Martin NG (avant-garde turntablist), and two videos by Tina Frank, a designer for Mego and renowned abstract videomaker. The genes of a common sound expression are present both in the four ethereal pieces of the duo and in the linear visual progressions by Frank, condensed in the two sequences entitled ‘Procession’ and ‘Surfacing’, inspired by two tracks with the same name included in a previous album of the duo. It’s a programmed essential nature, which gradually develops through the sinus waves in the music and through zooming and focusing in the videos, slowly stretching the perception of sound and of the geometric depth. The aesthetic familiarity has the added value of the musical-visual consonance, which synchronizes the collaboration between the artists, even if the works are enjoyed separately. The invisible space of the sound waves and of the dark background meet, refracting each other, while their informative structures communicate.