“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
Dreamlike states of electronic abuse for Pedro Tudela, in a project commissioned by the coreographer Isabel Barros. ‘A space, on the scene, as open as it can be, because, just like in dreams, there are always things beyond your grasp, there are many possibilities and almost nothing is what it seems’. The title and theme of this ‘pièce’ are inspired by a text written by Maurice Blanchot, ‘The Dream, The Night’, the third chapter of ‘L’Espace Littérarie’ and, following this inspiration, the soundtrack is modulated in an abstract and relaxed way, with smooth and rough parts, microsounds and deliberately unresolved tensions. Movements and sudden cuts, to emphasize the dancers’ movements, whose improvisations we find in the video track, with different contexts influencing one another, completed by ethereal and cerebral aesthetical conjunctions. Within the research groups dedicated to dance, it’s usual to experiment with new imaginations and sounds, forms of articulated integration, close to the contemporary concept of ‘multimedia’, enriched by the work on the field, near the unstable truth of the stage, where everything is constantly challenged. It’s a fascinating and flowing album, fleeting as the encounter of two bodies in motion, profound and tangled as a confusing dream.