“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
01.07.03 Neonlight, colored neon lights guided by sound.
Neonlight is an interactive music visualizer, made using Shockwave by the japanese Makoto Yanagisawa, which exploits the aesthetic paradigm of neon lights to synchronize typically oriental sound machines. In the sudden passage between the different visualizations there are several variations, and the color spectrum wraps itself around the movements of the lines. It’s an abstraction reminescent of the abstract esperiments of the beginning of the century, where the visual rhythm was skillfully put side by side with the musical rhythm, expressing a poetic which merged the retina and the eardrum in a total synesthetic sensation.