“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
It is at the Tate Britain in London a symposium, with its exhibition entitled ' Art and Money Online 'that seeks to investigate the links between capitalism and digital art. Existing installations of: Black Shoals Stock ('Market Planetarium'), which shows the results of the world's stock markets as planetary constellations; Redundant Technology Initiative ('Free Agent') ricla group that rejects reassembling computer equipment in working order, in this case to try the term 'free' on the network; Jon Thomson and Alison Craighead ('CNN Interactive just got blackberries interactive', in the image) coupling to the contents of the CNN website a series of specific music to set the mood of the news (from ' Triumphant 'to' melancholy 'to' dramatic '). But as argued by Ray Thomas and Frank Guerrero RTMark: "The war between the expression and the trade is an issue really rich, whose issues affecting the arts are the smallest tip of the iceberg."